CHAPTER 7 - 9 CHAPTER 7 DAVID BLAKELY, THE NEW MANAGER WE BEGIN TOURING POOR TERRITORY BLAKELY'S LETTER THEODORE THOMAS AND THE WORLD'S FAIR PATRICK GILMORE SOUSA AND DAMROSCH BOSTON AND THE COLUMBIAN FESTIVAL TEMPESTS OF TEMPERAMENT “THE …

CHAPTER 5 - 6 CHAPTER 5 MY MARCHES BEGIN TO APPEAR THE MANSFIELDS EXCHANGE COMPLIMENTS “DESIREE” AND DE WOLF HOPPER “THE PRESIDENTIAL POLONAISE” AND “SEMPER FIDELIS” OUST “HAIL TO THE CHIEF” CLEVELAND WHITNEY MR. CLEVELAND'S WEDDING GENERA…

CHAPTER 3- 4 CHAPTER 3 EARLY CONDUCTING THE FIRST ROMANCE CONDUCTING FOR MELODRAMAS TEN MIGHTY THICK “SKULLS” LAUGHS OFFSTAGE AND ON WITH “THE PHOENIX COMPANY” “MATT MORGAN'S LIVING PICTURES” AFFRONT PITTSBURGH FIRST FIDDLE UNDER OFFENBACH…

CHAPTER 1-2 CHAPTER 1 FIDDLING VERSUS BAKING SELF-INFLICTED ILLNESS AND ITS PENALTY SCHOOL DAYS THE AGONIES OF SOLFEGGIO THE CONSERVATORY A CONCERT TRAGEDY 第1章 バイオリンを弾くか、それともパンを焼くか 自業自得の病気 学校での日々 イヤなレ…

CHAPTER 20 第20章 MUSIC VITAL TO AMERICA COMPOSER-FRIENDS EUROPEAN INFLUENCES BECOMING NEGLIGIBLE NO NATIONALITY IN MUSIC MY FAITH IN AMERICAN MUSIC-MAKING OUR NATIONAL LOVE OF HYMNS THE RADIO THE JAZZ CULT WHY THE MARCH? THE WRITING OF MA…

Nowadays I allow myself a bit more of vacationing than formerly. Up to the time of the World War I toured with the Band practically the entire year, often following the road for fifty weeks, including both summer engagements and winter tou…

CHAPTER 19 第19章 THE BIRTH OF SOUSA’S BAND MUSICIANS FROM NEAR AND FAR THE INVENTION OF THE SOUSAPHONE AN AMERICAN PERSONNEL OUR TOURS AN ONSLAUGHT ON MY ENCORE HABITS MY “PECULIAR” CONDUCTING METHODS VACATIONING AN IDEAL HOME LIFE REMINI…

CHAPTER 18 第18章 AMERICA’S PROGRESS IN CREATIVE MUSIC —THE POPULAR SONGS OF BIBLE DAYS —DAVID AS BANDMASTER AND MUSICIAN —SYMPHONIC COMBINATIONS —INSTRUMENTS AND THEIR TEMPERAMENTS, VAGARIES, AND USES —THE INCONGRUOUS IN MUSIC 創造性を発…